NYC Artists' Lofts Before and After the Loft Law + Modern Studios for Today's Creatives
The New York City artist’s loft is arguably among the most romanticized and coveted living spaces in the world. It has been used as a backdrop for avant-garde films by Andy Warhol, the central scene of a musical (yes, we’re talking about Rent), and more recently, as the focus of several museum shows (for example, the Whitney’s 2013 exhibit, Rituals of Rented Island). When one thinks about a New York City artist’s loft, what likely comes to mind is an open, expansive, and unequivocally cool space—a space where anything is possible.
While this may have been true at one point in the city’s history, the artist’s loft is neither readily affordable nor easily attainable in the 21st century. When David Bowie passed away in early 2016 and fans spontaneously gathered to mourn outside his Soho loft at 285 Lafayette Street, they were strolling past some of the city’s most expensive real estate. Indeed, if you’re looking to buy in the building where Bowie once lived, you’ll need at least $7 million to purchase. If you prefer to rent, a handful of units are on the market starting at $10,000/month. This raises the obvious question: How did New York’s artists’ lofts, especially those located in Soho, go from accessible to virtually unobtainable in just a few decades?When one thinks about a New York City artist’s loft, what likely comes to mind is an open, expansive, and unequivocally cool space—a space where anything is possible.
When Soho was a “Last Resort” for Artists
Today, it may be difficult for many New Yorkers to believe that in the early 1970s, Soho was considered a refuge for struggling artists. Indeed, a May 1970 headline in the New York Times declared Soho to be a “last resort” for artists. As the article explained, “Soho is the only area left in Manhattan where the loft space [artists] need is still available at reasonable rates.” But even in 1970 when Soho was still an affordable, albeit at times crime ridden, oasis for artists, there were concerns about the neighborhood’s pending transformation into a highly valued real estate enclave.
As written in the same New York Times article, by 1970, some artists were already worried that “Real estate developers would jump at the chance to replace the [neighborhood’s] stubby buildings with profitable high-rise buildings.” There was also concern that the city’s Planning Commission may simply raze the neighborhood to make way from middle-income housing. These concerns were not unfounded. Buildings that had sold for $30,000 in 1960 were, by early 1970, being sold for $150,000.
As early as 1970, Soho’s renters rightfully feared that the arrival of uptown gallerists would eventually drive up rental prices throughout the neighborhood. In the end, the neighborhood’s renters were right to be concerned. As one artist lamented, “Pretty soon we will have boutiques here and see-the-artist tours.” He was right. Today, some of the few artists who remain in Soho now live in unlikely locales, including above the Armani store at the corner of Spring and Thompson where a two-bedroom loft sold for nearly $3 million.
The Establishment of the Loft Law and Loft Board
In the end, it would take somewhat longer for Soho to become out of reach for artists than originally expected. This had much to do with the city’s economic misfortunes and rising crime rates throughout the 1970s. By the early 1980s, however, the city was slowly beginning to rebound. While the East Village and Lower East Side remained highly affordable and crime ridden, Soho—with what had become an established, internationally recognized art scene—was well positioned for gentrification. Adding to the gentrification process, however, was another factor—the establishment of the New York City Loft Law.In 1982, the New York State Legislature established the New York City Loft Law and related Loft Board “to regulate the conversion of certain buildings that were constructed for commercial and manufacturing use to lawful residential use.” On the surface, the Loft Law’s intentions were not necessarily designed to target artists but simply designed to force landlords to bring illegal living spaces up to code—for example, by forcing landlords to comply with fire safety requirements. In the end, however, the establishment of the Loft Law had two immediate and ultimately devastating consequences.
In some cases, landlords responded to the new legislation by simply pushing out tenants. This was a relatively simple task since most of Soho’s renters had never held leases. After all, they had been living and working in illegal spaces. Under the Loft Law, landlords were also permitted to pass along the cost of upgrading buildings to existing tenants. Not surprisingly, this resulted in drastic rent increases throughout the neighborhood and ultimately, the exodus of many artists. Indeed, the impact of the Loft Law on Soho was so devastating that urban planners around the world now use the term “Soho Effect” as shorthand to describe how manufacturing or industrial districts are gentrified, often using local artists as a vehicle to accelerate the process.As a result, there are few working artists living in Soho or even south of 14th Street. The fortunate few that do are now in their sixties to eighties, and had either the means and foresight to purchase space in the 1970's, or the ability to snag and hold onto rent-controlled or rent-stabilized units.
Finding a Live/Work Space in 2021
One tragic effect of rising rents and diminishing studio space is that not only are artists getting priced out of the neighborhoods that they helped put on the map, but the artist community of yesteryear is being split into fragments. Even in pre-pandemic days, artists searching for space spread out throughout Brooklyn, not to mention into Queens and the Bronx.In the early twentieth century, artists and their backers put up a number of buildings throughout New York, allowing artists to live and work . Since then, though, many have been closed, demolished, or transformed into luxury buildings with multi-million dollar listings. One surviving community is the Westbeth Artist Community, but the waitlist closed in 2007 and a social services coordinator is now on site for senior and disabled tenants as the population ages.
"The problem is not Westbeth, which has a finite number of apartments. The problem is that there are not more Westbeths!” - George Cominskie, President, Westbeth Artist Residents Council
Despite the diminishment of official artist housing, a number of unorthodox options have sprung up in recent years. The Artist Studio Affordability Project (ASAP) formed in 2013 in response to rent increases, and its members strive to keep workspaces affordable all over the city. The Listing Project stemmed from artist Stephanie Diamond’s search for a New York apartment, and continues to send out carefully vetted listings for artist studios, shared rooms in artist-owned homes, and apartments for rent for and by artists. Indeed, the luckiest of young artists split the rent with fellow creatives who understand their struggles and what they need to do to work out of their homes.The Soho/Noho Rezoning and Ways the City Can Help
The importance of arts and culture to New York cannot be overstated. In his State of the State address, Governor Andrew M. Cuomo declared, “We must bring culture and arts back to life” before announcing a New York Arts Revival initiative that would organize outdoor pop-up performances, explore safe options for indoor performances, and fund community art groups. At a city level, a number of mayoral candidates have made the arts part of their platform. Andrew Yang has announced that his administration would partner with larger institutions to help subsidize rent for resident artists in buildings. Ray McGuire serves on the board of the Whitney Museum and the Studio Museum, and has pledged that his administration will invest in programs that support New Yorkers working in the arts and other creative fields. And during his tenure as New York City Comptroller, mayoral candidate Scott Stringer’s office released The Creative Economy, a report spelling out the importance of the arts and creative industries to New York and how to strengthen the creative sector; the creation of new affordable housing and work spaces was among the recommendations. Additionally, in October 2020, it was decided that a proposed rezoning of Soho and Noho could proceed to public land use review. If the rezoning is approved, it could lead to as many as 3,200 new housing units, 600-900 of which would be affordable. The rent-regulated homes covered by the Loft Law (see above) would remain protected, and the city would support live/work and arts/cultural space. Additionally, it would require building shapes and sizes to correspond to local character - in other words, no supertalls allowed. With this in mind, might we see the emergence of homes inspired by the lofts of yesteryear? While we wait to find out, we take a look at a selection of spacious studio apartments that may be ideal for those working in creative fields, both from aesthetic and financial standpoints.Classic Artists' Lofts
This renowned building's northern light attracted artists including the Surrealist painter, Enrico Donati. He used Apartment 1620 as his painting studio for well over 50 years. Located on the 14th and 15th floors, the dramatic double-height living room with wood burning fireplace has an 18'8' ceiling and oversized windows with sweeping views of Manhattan's iconic and landmarked 843-acre Central Park. The balcony overlooking the living room provides an even more spectacular view of Fifth Avenue, and the vast pastoral oasis of the Park. The apartment is a beautiful portal through which quintessential New York can best be experienced! Much of the architectural details and original floorplan of the apartment have remained intact. See floor plan and full details here.
The historic Hotel des Artistes was completed in 1916 in a Neo-Gothic style. This full service building located on a beautiful tree-lined block close to the 67th street Central Park entrance and to Lincoln Center, features several amenities rarely available in prewar cooperatives: 24 hour concierge and elevator operator, indoor swimming pool, gym, squash court with basketball hoop and beautiful outdoor roof deck. The Hotel des Artistes is a residence traditionally coveted by the creative community. As a bonus to residents, the renowned adjacent Leopard at des Artistes restaurant offers a dining discount.
See floor plan and full details here.Built specifically for artists in 1905 as one of the very first co-ops in the city, 15 W 67th Street a.k.a. "Central Park Studios" is a standout building among its contemporaries on what many consider the prettiest block of the Upper West Side. It's adjacent to the famed Hotel des Artistes & the entrance to Central Park is just steps from the front of the building, where Tavern On the Green and Sheep's Meadow await just inside the Park. Lincoln Center is just 1 block away, as are the 1/2 subways on 66th Street, walk just a few blocks to the A/B/C on 72nd Street. Storage comes with the apartment, and the building is run by a wonderful full-time staff. This residence has a style and grace that cannot be truly replicated. It is the perfect retreat to make decades worth of memories..
See floor plan and full details here.The Atelier, 33 West 67th Street, was originally designed for artists' studio apartments in Manhattan. It is a graceful limestone and brick building which has kept its most desirable 1903 elements. The intimate lobby, the huge cast-iron elevator and electrified gas fixtures on the landing. The previous owner of this home was Albert Murray a famous portrait artist. His works hang in the Naval Institute and many homes. He did portraits of the Rockefellers, Arthur H. Sulzberger to name a few. See floor plan and full details here.
Modern Oversized Studios Under $600K
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